"Father William is the subject of the poem that Alice recites to the Caterpillar. The second figure depicted is his son. This verse is nonsense and was Carroll’s parody of Robert Southey’s poem, “The Old Man’s Comforts and How He Gained Them.” Marinsky’s depiction is from the poem’s first stanza:
“You are old, Father William,” the young man said, “And your hair has become very white; And yet you incessantly stand on your head- Do you think, at your age, it is right?”
“In my youth,” Father William replied to his son, “I feared it might injure the brain; But now that I’m perfectly sure I have none, why, I do it again and again.”
"Lewis Carroll’s poem, “The Walrus and the Carpenter” from his book Through the Looking Glass (1871), is often referred to as literary nonsense. The poem is recited by Tweedledum and Tweedledee to Alice. Marinsky includes many direct references from the poem’s illustrations, including walking oysters, the Carpenter’s hat, and the Walrus’ handkerchief."
The Queen of Hearts is yelling. "Off with her head!"
The Mad Tea Party by Harry Marinsky
"At the tea party, Alice meets the Mad Hatter, March Hare, and Dormouse. Alice is constantly frustrated with their manners. She leaves them trying to fit the Dormouse in a teapot."
We couldn't resist taking a seat on the bench seats, even though the sun had heated them a bit!
"Marinsky’s St. Francis stands surrounded by children, with his arms in the air, freeing birds into the sky. St. Francis of Assisi, the founder of the Franciscan Order, is recognized by his emaciated appearance with the stigmata on his hands, feet, and chest. He is typically represented barefoot, wearing a dark habit, with a tonsure and a short beard. Symbolic elements commonly associated with St. Francis are animals, a book, a crucifix, a lily, and a skull."
"Three Gossips are poised in a circle. The close proximity of their finely chiseled facial features suggests the secretive tone of their conversation. Marinsky based this sculpture on three women he witnessed gossiping at a Henry Moore exhibition. The style employed by Marinsky is simple, yet it explores the complexity of the human form and psyche."
"Windsong III revolves, creating a mosaic in motion, a patchwork of color against the sky. The colorful rhythmic dance of Windsong III draws the viewer’s attention skyward, conjuring memories of pinwheels, balloons, flowers, and simple pleasures. Mangold’s love of nature and keen fascination with kinetic forces offer an intricate, scholarly framework for interpreting his work. In achieving mastery of an artistic medium, which depends upon wind for its animation, Mangold has cultivated an understanding of man’s primal relationship with nature and its eternal cycles."
"Resistance is a pensive woman lost in introspection. Appearing naked to the world, she protects herself against all outside forces. Desiring to evoke an emotional response from the viewer, she creates intimate, tactile work.
Resistance is a tribute to the elegant beauty and dignity of the human form. Temple’s style transcends objective realism and directly expresses her artistic instinct. Working quickly, and directed by intuition, she captures the shape of the subject without striving for photographic likeness."
“Samson,” by Jon Leitner. He was the faithful Yorkshire terrier pet of John and Marjorie Madden.
Click on the photo collage above to read the description of "Western Wheatgrass."
MOA co-founder, John Madden developed Greenwood Plaza to be an environment that incorporates landscape design, architecture, and art. The Museum of Outdoor Arts also owns and operates the adjacent Fiddler’s Green Amphitheatre, which promotes outdoor performing arts and events.